Music Printing and Publishing

Historical Music Inventories 1500–1800

History / Music / Early Music / Music History / Musicology / Digital Humanities / Manuscripts and Early Printed Books / Local History / Cultural Musicology / Baroque Music / Collecting (Music) / Renaissance music / Music Publishing / Renaissance Music (Music) / Local and regional history / Historical Musicology / Cultural History of Music / Italian Renaissance Music / Transmission of Music / Digital Music Collections / Music Printing and Publishing / Italian Baroque Music / History of music library collections / Music Transmission / Renaissance and Baroque Music / Digital Humanities / Manuscripts and Early Printed Books / Local History / Cultural Musicology / Baroque Music / Collecting (Music) / Renaissance music / Music Publishing / Renaissance Music (Music) / Local and regional history / Historical Musicology / Cultural History of Music / Italian Renaissance Music / Transmission of Music / Digital Music Collections / Music Printing and Publishing / Italian Baroque Music / History of music library collections / Music Transmission / Renaissance and Baroque Music

La teoría de canto de órgano y contrapunto en el Renacimiento español. La Sumula de canto de organo de Domingo Marcos Durán como modelo

Music / Musical Composition / Music History / Music Theory / Musicology / Improvisation / Medieval History / Renaissance Humanism / Composition (Music) / Spanish History / Medieval Europe / 16th Century Counterpoint / Renaissance music / Medieval Art / 14th-16th Centuries Counterpoint / Music Performance / Vocal Polyphony / Music Improvisation / Humanismo / Siglo XVI / Rennaissance Art / Music performance and improvisation / Renacimiento / 16th-Century Polyphony / 15th Century Music / Counterpoint / Spanish Humanism / 15th Century / Salamanca / Teoría Musical Del Renacimiento / Music Printing / Historia de la imprenta / Teoria Musical / music printing, early modern Germany, history of the book / Spanish Renaissance Music / Music printing in the 16th and 17th centuries / Humanismo y Renacimiento / Music Printing and Publishing / University of Salamanca In Middle Ages / Catholic Kings / Universidad de Salamanca (Spain) / Reyes Catolicos Fernando E Isabel / 15th and 16th Century Spanish History / Música Española Del Renacimiento / Catedral De Salamanca / Historia De La Imprenta Espoañola / Música Del Renacimiento Español / German printers / Historia de la imprenta española antigua / Pedro martínez de osma / Pedro de Osma / Ramos de Pareja / Improvisation / Medieval History / Renaissance Humanism / Composition (Music) / Spanish History / Medieval Europe / 16th Century Counterpoint / Renaissance music / Medieval Art / 14th-16th Centuries Counterpoint / Music Performance / Vocal Polyphony / Music Improvisation / Humanismo / Siglo XVI / Rennaissance Art / Music performance and improvisation / Renacimiento / 16th-Century Polyphony / 15th Century Music / Counterpoint / Spanish Humanism / 15th Century / Salamanca / Teoría Musical Del Renacimiento / Music Printing / Historia de la imprenta / Teoria Musical / music printing, early modern Germany, history of the book / Spanish Renaissance Music / Music printing in the 16th and 17th centuries / Humanismo y Renacimiento / Music Printing and Publishing / University of Salamanca In Middle Ages / Catholic Kings / Universidad de Salamanca (Spain) / Reyes Catolicos Fernando E Isabel / 15th and 16th Century Spanish History / Música Española Del Renacimiento / Catedral De Salamanca / Historia De La Imprenta Espoañola / Música Del Renacimiento Español / German printers / Historia de la imprenta española antigua / Pedro martínez de osma / Pedro de Osma / Ramos de Pareja

Publicación de música para piano en Guatemala

Piano Music / Music Printing and Publishing / Música guatemalteca para piano

Jan Le Febures Rosetum Marianum (1609)

Musicology / Sacred Music / Vocal Music / Counter-Reformation / Music Printing and Publishing / Mainz / Tricinia / Mainz / Tricinia
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